STUDY

Undergraduate

BA (Hons) Screenwriting

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Institution code: S82
UCAS code: W811
Start date: September 2025
Duration: Three years full-time, four and a half to nine years part-time.
Location: Ipswich
Typical Offer: 112 UCAS tariff points (or above), BBC (A-Level), DMM (BTEC), Merit (T Level)
Institution code: S82
UCAS code: W811
Start date: September 2025
Duration: Three years full-time, four and a half to nine years part-time.
Location: Ipswich
Typical Offer: 112 UCAS tariff points (or above), BBC (A-Level), DMM (BTEC), Merit (T Level)

Overview

Do you have an idea for a film or television show? Have you been inspired by the latest cinematic blockbuster or hit streaming series? The BA (Hons) Screenwriting course at the University of Suffolk is the perfect way to launch an exciting career writing for the big (or not so big) screen. 

Here at University of Suffolk we specialise in writing for film and television. Our dedicated tutors and visiting lecturers are award-winning screenwriters and filmmakers, who provide expertise, practical techniques, and insider knowledge of the film and TV industry. You will receive unparalleled personal support and rigorous training to ensure that you graduate with all the skills and confidence you need to embark on a career as a professional screenwriter. 

The degree will teach you how to write compelling and highly professional scripts for film, television and digital platforms. With assignments designed to mirror current industry practice throughout, we will show you how to nurture a story from initial idea to a polished final draft by using key development documents such as loglines, premises, character profiles, synopses, step-outlines and treatments. Along the way, our small workshop sizes ensure that you receive substantial and frequent feedback on your writing. You will also learn from some of the greatest screenplays ever written and hone your critical skills by evaluating your own and other students’ scripts. 

The first year provides skills that will be invaluable during the rest of the course and beyond. You will learn about professional script formatting, how to structure an effective story and how to create characters that spring off the page. You will also interrogate the key differences in writing for television and radio and explore a range of different genres, audiences and styles.

During year two you will enhance your creative and critical abilities, resulting in the creation of a diverse range of scripts, exercises and essays. You will be taught how to negotiate the challenges of writing adaptations and short films, produce a complete TV drama episode and series bible, learn about writing for sitcoms, docudramas and soaps, and begin to master longer script sequences. There is also the opportunity to have your work made by our Digital Film Production students and receive your first production credit.

In the third year, there is a stronger focus on the interests you have developed throughout the course, and preparation for your writing career post-graduation. Throughout your final year, we will support you to produce either a full-length feature film screenplay or a television pilot script and an outline for the remaining episodes - an aspect that sets us apart from many other undergraduate screenwriting courses. We also equip you with all of the knowledge you need to succeed in your career as a screenwriter, including how to market yourself, find an agent, manage your income, and get your work produced. 

In an era where streaming services dominate our viewing habits, the demand for innovative content, fresh voices and intelligent storytelling is stronger than ever. Join us here and discover the secrets to creating stories that producers want to commission and audiences will fall in love with.  

The University of Suffolk is world-class and committed to our region. We are proudly modern and innovative and we believe in transformative education. We are on the rise with a focus on student satisfaction, graduate prospects, spending on academic services and student facilities.

1st

in the UK for student satisfaction for Art and Design courses

(The Complete University Guide 2024)

6th

in the UK for spend on academic services

(The Complete University Guide 2024)

11th

in the UK for social inclusion

(The Good University Guide 2023)

Course Modules

Our undergraduate programmes are delivered as 'block and blend', more information can be found on Why Suffolk? You can also watch our Block and Blend video.   

Downloadable information regarding all University of Suffolk courses, including Key Facts, Course Aims, Course Structure and Assessment, is available in the Definitive Course Record 

This module introduces students to the developmental process in the film industry and is fundamentally concerned with the generation of ideas and the creative processes involved in their realisation.

This introductory module is designed to stimulate students' intellectual curiosity. It will develop students' critical knowledge and skills base in ways which complement and inform the conceptual and practical work being done in other Level 4 modules. The module introduces Film Studies as an academic discipline, provides students with a toolkit of concepts for close analysis of a range of film texts and genres, links concepts to long-standing issues in film criticism and theory, and sets students on the path of historical and contextual film enquiry through the study of a diverse range of films.

This module introduces students to the importance of character development and its centrality within the screenwriting process as a whole. While links are made to the importance of narrative structure, students will focus on how story can be developed through character rather than plotting. Thus, this module complements and supports the concurrent work in Developing Screen Ideas, which is more focussed on narrative structure and industry.

This introductory module is coupled with and follows directly on from Film Studies One. The module is designed to stimulate students’ intellectual curiosity in the field of Film Studies. It develops students’ critical knowledge and skills base in ways which complement and inform the conceptual and practical work being done in Video Practice and Production: Introduction, as well as students’ work in the other Level 4 modules.

Throughout the semester students develop their knowledge and understanding of how genres evolve, and the debates surrounding the classification of genres. Students develop in-depth knowledge of three to four key genres in film, and the codes and conventions associated with them through the critical analysis of a number of feature-length produced scripts. The genres studied may include, for example, horror, thriller, romantic-comedy, western, or science fiction.

This module introduces students to writing drama for television and radio. It is designed to build on students’ knowledge of character development and story structure and design gained from the Creating Memorable Characters and Developing Screen Ideas modules.

This module explores how literary texts can be adapted for the screen. Students consider filmic rewritings of major literary forms including drama, the novel and short fiction and engage in the debate about the ‘fidelity’ of adaptation. The module combines a theoretical approach to the study of adaptation with contextual approaches to specific films, presented as case studies.

This module uses the introductory knowledge of writing television drama from level four, and theoretical knowledge students gained in the autumn semester in Television: Contextual and Critical Studies as a foundation for students to develop their own ideas and scripts within the medium of television.

This module builds on students’ knowledge of critical textual studies from the first year modules Film Studies One: Analysis and Issues and Film Studies Two: Film History, and serves to introduce students to the critical study of television.

This module explores the theory and practice of writing for the screen, specifically the 10-minute short. Students engage with key practical manuals and critical studies of the screenwriting process and study a range of globally diverse shorts. The culmination of this work is the production of a 10-page screenplay, which is filmed by the Digital Film Production students in semester two.

This Level 5 module is designed to continue the focus on textual and contextual study and the development of subject-specific and generic skills established especially in Level 4 Film Studies: Analysis, Issues and History. As with the Film Studies module, it develops students’ critical knowledge and skills base in ways which complement and inform the conceptual and practical work being done in the Level 5 Video Practice and Production: Documentary and Drama.

This module consolidates knowledge and skills relating to form, structure, style, character, genre, setting and visual writing, which students have acquired in previous screenwriting modules, and ensures they are able to understand and use concepts they may have yet to use in quite so much detail such as subtext, dramatic irony and theme.

This year-long module represents the culmination of students’ critical development on the course. It provides an opportunity for students to explore a chosen area of Film studies. Students design and carry out a sustained and coherent piece of independent research in an area of scholarship that they wish to pursue.

This module builds on students’ knowledge of the development, story design and outlining processes in screenwriting and is fundamentally concerned with the generation of ideas and the creative and practical processes involved in their realisation. Students develop ideas for a feature film. In intensive weekly workshop and feedback sessions students submit development documents such as premises, outlines, treatments, step-outlines, synopses and draft script pages for critique by their peers and module tutor.

This module uses the summative work from the Development and Story Design: Final Project module as a point of departure, and represents the culmination of students’ creative and self-reflexive development in screenwriting. It provides an opportunity for students to write the original feature-length film script or TV pilot and series they developed during the autumn semester.

Students receive notes and feedback from their tutor on their first and second drafts, and then for their third draft they receive an industry script reader’s report, which is provided by Industrial Scripts.

Founded in 2010 by a Warner Bros and Paramount Pictures script consultant, Industrial Scripts is now one of the world’s leading script development companies. The company is unique in its sector, having been reviewed over 1,000 times on Google-recognised independent reviews sites.

On completion, students will have an extended piece of work, which can be used as a ‘calling card’ script.

This module will provide an opportunity for students to research progression routes into a career in screenwriting and / or related fields where they could transfer their skills, and will also develop the knowledge and skills that underpin their own creative, professional and personal self-development. Building upon level four and five practical screenwriting modules, this module prepares students for professional life after graduation and establishes the skills and resources needed to develop a sustainable practice and work in either a self-employed or employed capacity. 

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WHY SUFFOLK

2nd in the UK for Career Prospects

WUSCA 2024

3rd in the UK for spend on academic services

Complete University Guide 2025

4th in the UK for Teaching Satisfaction

Guardian University Guide 2024
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Colour Correction Studio
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Screenwriting Student
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Film Equipment
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Virtual Campus Tour

Entry Requirements

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Career Opportunities

With the evolution of digital technology, there has been a shift in the definition of screenwriting. Since we now live in a primarily visual culture, narratives and content are in great demand across a variety of platforms. Where screenwriting was once niche to cinema and television, it is now sought after by a diverse range of employers.

From webisodes and online games to content marketing, advertising and digital corporate communication, this is opening up opportunities for graduates with the right combination of critical and creative skills.  

The skills you learn are also highly transferable, serving as a springboard into a variety of roles such as:

  • Screenwriter

  • Script Researcher

  • Script Editor

  • Storyliner

  • Producer

  • Market Researcher

  • Teacher

  • Cinema Manager

  • Film Critic

Your Course Team

Dr Alexandra Leaney

Alexandra teaches Digital Film Production and Screenwriting, holding two MAs and a PHD. Her work includes analysis of screenplays and child protagonists.

Dr Helena Bacon

Helena has taught on courses at many different universities. Her specialisms include gothic and horror fiction and film, contemporary fiction and television.

Helena Bacon staff profile photo

Daniel Hayes

Daniel is an award-winning screenwriter and script consultant with over fifteen years’ experience in the film industry. He lectures in Digital Film Production.

Piers Storey

Piers is a lecturer in Digital Film Production, and has worked on various drama and documentary films, including those broadcast on BBC2 and Channel 4.

Dr Hing Tsang

Hing Tsang is a senior lecturer in Digital Film Production. He has worked as a technician in the TV and film industry and has written on documentary and fiction

Dr Emily Richardson

The films of filmmaker and lecturer Emily Richardson have been shown in galleries and festivals internationally, including FACT Liverpool and the Tate Modern.

Fees and Funding

UK Full-time Tuition Fee

£9,535

per year
UK Part-time Tuition Fees

£1,589*

per 20 credit module
International Full-time Tuition Fee

£15,090

per year

*Please contact Student Centre for further information on part-time fees

The decision to study a degree is an investment into your future, there are various means of support available to you in order to help fund your tuition fees and living costs. You can apply for funding from the Spring before your course starts.

UK Fees and Finance UK Bursaries and Scholarships International Fees and Scholarships

Ipswich Award

The University of Suffolk is offering a £1,000 Award for students joining the University of Suffolk’s Ipswich campus. The Award is based on specific eligibility criteria based on your year of entry.

More information
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How to Apply

To study this course on a full-time basis, you can apply through UCAS. As well as providing your academic qualifications, you’ll be able to showcase your skills, qualities and passion for the subject.

Apply Now Further Information on Applying
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Maisie Wright, BA (Hons) Screenwriting

"Not only did we explore a wide range of genres, but learning how to construct characters, themes and storylines was incredibly interesting. "

read more
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Screenwriting Taster Sessions

Any combination of Screenwriting sessions listed under 'find out more' can be provided by the Film Team. Running times are variable (except where noted) and most can be adjusted to suit individual requirements. We may be able to offer bespoke taster sessions other than those listed – please feel free to contact us with your requirements: film@uos.ac.uk

Find out more
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